A Kool Aid dyed experiment

One of my weaving guild members is part of a study group in another town.  She recently lead a socially distanced class on "fun" dyeing.  They used Kool Aid.   You need to use the unsweetened Kool Aid drink powder in the little packets.  It's no longer sold in Canada, unless you luck out and find it at a discount or outlet store.  Last winter I found some packets at a dollar store and stashed a bunch of them for future use. 

At our last Zoom meeting, Barb had shown her results which was a huge pile of skeins that she had dyed with Kool Aid, at 1 packet to 1 ounce of wool yarn.  It was lovely, colourful and inspiring.

Not wanting to duplicate her results, I tried something a bit different.  I had picked up a packet of Guar Gum about the same time I purchased the Kool Aid packets.  Guar Gum is a thickener and one of it's many uses is to thicken dye for painting skeins.  It helps prevent the dyes from running together too much, allowing for techniques which might need more distinct lines.   I found it at the bulk food store, in the gluten free section. 

You don't need a lot of it. I used 5 ml in a litre of water.  I buzzed it up in a blender.  Since it was food grade, I didn't worry about extra equipment but used the seldom used smoothie blender in the back of the cupboard.   It was thickish, but from a couple of videos I'd watched, I thought it should have been thicker.   However, I decided to try it as it was, so if it didn't work, I had a definite starting point to work from   I divided the liquid into 7 disposable cups which had been sitting in a box for years.  I added a single packet of Kool Aid powder to 6 of the cups and left the 7th cup uncoloured, to use as an extender if I needed it.

The Kool Aid powder blended in quickly and gave fairly bright colours.   I used my acid dye syringes since I couldn't find my husbands stash of foam brushes which I sometimes use to paint fibre with.  Earlier in the day I'd wound a wool/silk blend warp for 2 scarves. I tied a tight choke tie in the middle, where the fringe from one scarf ended and the other began.  I tied looser figure 8 ties on the rest of the warp, except for the cross.  It was tightly tied too.

 I soaked the warp in warm water with about 1/4 cup of vinegar.  It's not really necessary, but I wanted the dye to take quickly.  As well, it was a lot of warp for a little dye, and I wasn't sure how diluting it with the guar gum would affect the dye to acid ratio.  I felt comfortable with a little extra security.

I used a lot of plastic wrap and ran it in long lengths, to put my warp on.  This protects the work surface to some extent but also protects the yarn when you steam it.   Since I was working on the glass topped patio table, I didn't put down any other protection on the table.  Kool Aid and Guar Gum are food safe, plus the glass table is super easy to clean.   I used syringes and spoons to paint the warp.  The syringes were discards from my husbands workplace and a friend who breeds Alpaca.  They are easily available at the farm supply store though.

Once I had the colour on, I wrapped the plastic wrap tightly around the warp threads.   I tucked one side in, around the warp and then rolled it up.   Amazingly, the guar gum did stop most of the leakage from where the plastic wrap pieces joined.   I dyed one scarf, rolled the plastic around it and then did the second one, as my table wasn't large enough to do both at once. I rolled the whole kit and kaboodle up like a jelly roll.  I popped it into a dye pot, with a steamer rack in the bottom, added a few inches of water and let it steam for about an hour.  I added water a couple of times during the process, to make sure the pot didn't run dry.   It doesn't need an hour, but my pot lid had gone missing, so the one I had to use didn't fit quite tightly enough.  This way I made sure it had enough steam time.

I turned off the stove after the steaming time was up.  I let the warp cool down overnight. If the wool yarn, or roving or fibre cools down too quickly, it will likely cause the fibre to felt up.  Since this was a wool silk blend, it could not only felt the wool, but damage the silk, if I didn't let it cool slowly.

The final colours are fun.  I'd read someplace that the purple Kool Aid was an ugly colour, but I rather like the purplish-grey colour.  The guar gum did prevent any major blending of colours from one colour to another, even if it wasn't quite as thick as I'd thought it should have been.  The warp is now on my loom, waiting for me to start weaving.

So, why did I use a wool/silk warp, luxury fibres for a Kool Aid experiment?  Kool Aid, and food colours in general (Wilton's Paste food colours work well too), act as weak acid dyes.  That is dyes which are easily fixed with vinegar or citric acid.  However, they need a protein or animal fibre to work.   The only pure wool I had was blanket wool.   I didn't have enough of any one white fibre to wind a scarf warp, let alone a warp for two scarves.   I did however have enough white wool/silk blend for the warp and the weft for at least one of the scarves.   Since I know that food colours, when heat processed at the proper temperature and time are stable, I wasn't too worried.

Solar Dyeing Experiments

 Solar Dyeing Experiments

Equipment-
canning sealer jars - quart or litre.  I used both sizes.
Clean wool fibre
Dyes -  Acid, Food Colours, Fibre Reactive
additives for each dye -
vinegar or citric acid
synthropol for Fibre Reactive Dyes

quantities - 
Wool enough to fit in jar allowing water to circulate

1/4 c vinegar

water to top up

dyes -  a few ml of fibre reactive or acid dyes
dabs of food colours

synthropol if using fibre reactive dyes

Method -

Soak wool fibre in water for at least an hour before starting dyeing.

Add vinegar and some water to jar.

Add water saturated fibre to jar.

Top up with water.

Add dye and sythropol if needed.

I just dabbed the food colours in various placed on the fibre.  I used a craft stir stick to add the food colour.  It only took a tiny bit to get a lot of colour.  With the Fibre reactive dye, I used a syringe to measure out a few ml of dye and added it lower down on the fibre.

Add lids to jars and set in the sun to warm up.  They need to get to about 185 degrees for an hour or so.   

This time of year, at our more northern location, the sun is too low in the sky to warm up the dyes in the jars.   I ended up steaming the jars to get the dye to exhaust.   (remove the lids first).   You could put them in a dark plastic bag, your car in the sunshine or paint the jars black to absorb more heat.

  It was fun to do but really, it's just a small amount of fibre, so not really productive here unless you have a lot of jars going.  Earlier in the summer, one could probably spray paint buckets black and do larger amounts in the sun - maybe some sort of foil reflector would help.    I also think that further south, this is likely a much more effective method of dyeing.

So fun, but not effective in late August, in my back yard or front yard, since I tried both.  Not enough fibre dyed for my projects or preference.   I generally like to dye in at least 100 g quantities.  Would I do this again?   Maybe, earlier in the year.  A few years ago I did a lot of indigo vats using the painted buckets, starting in June and it was pretty decent results.

Fibre and pretty antiques

all spun with a traditional longdraw

 I carded the dark purple fibre with handcards to make rolags which spun quite nicely, despite the multitudes of little neps in the fibre.  I decided to run the rest of the fibre through the drum carder.   It was a reminder that sometimes short cuts aren't really so short.  The neps just got more imbeded in the batt and it was difficult to pull them out of the stripped roving.  Instead, I ended up carding all the drum carded fibre with handcards after the fact.   It made a much nicer yarn.  The fibre lots must be slightly different.   While one might have been all Merino, the second one had a lot of lustre and show long strands of something shiney as I carded it.   I'm guessing it was a nylon of some kind since it seemed to have dyed adequately.

The middle skein is a bit tweedy looking due to all the little neps or twisted, knotted balls of fibre or really short bits.   There is 75 g here and I just found another little handful of the purple/pink blend. 

 We took a road trip to the small town where we were married.  I got to see the Ukranian Orthodox church where we had the most amazing ceremony on what turned out to be the colded night of the winter.  However, our main goal was the antiques market there.   It is in a huge warehouse which was easy to find.   But it turns out there were two of them.  One was a horribly crowded, hard to get through all the "stuff" and junk.   The prices were anywhere from the middle of the road to the ridiculous.   There were oil lamps there for $250 that would sell for less than $45 elsewhere.   We were disappointed to say the least, but luckily my sweetie noticed another door, farther down, which turned out to be the more established antique market.  There were some lovely items there, including several lovely sets and odds and ends of lustre ware - but with no place to put it, I left it where it was.   I did come home with this lovely large citrus reamer.  I'm not sure why I'm so fond of them, but they work so well and fit my need for functional antiques.   I've seen large ones like this in milk glass, but they tend to be more $ than I'm willing to pay.  This clear one was the right price though.   As well, the oil lamp is a shape I don't have.   I know it's not an old one, but it was super cheap and everything works on it.  I think it will be put to good use if we have any power failures this winter.

Breaking Food safe dyes

Food colours and Kool Aid are fun and fairly safe weak acid dyes.   A tad unconventional in terms of commercial or professional dyes, they are great to use with kids and if proper processing is used, they are fairly light and wash fast.    They can be more expensive than non-food grade acid dyes.  The downside of Kool Aid (unsweetened), which works quite well because the citric acid is included in the little packet, is that in our area, you can get only 1 or 2 flavours so have limited colour selection.  In the US, they seem to have a gazillion flavours and I've seen colour wheels done with Kool Aid there.

However, Wilton's Paste food colours, for cake decorating are readily available, work with vinegar and a couple of colours have interesting properties.   Violet and Delphinium Blue are made up of several different colours which get absorbed at different rates.  This means you can  force the colours to break or be absorbed separately, creating multi-coloured yarn or fibre from one solid colour dye pot.  

Delphinium Blue Dye

I had some Merino fibre which I had bought, which was seconds and fairly expensive for seconds which didn't quite burn test as wool and was pretty nasty to spin, even after washing.  The vendor assured me it was wool and it sat in my stash for a couple of years.    It was the perfect fibre to experiment with, because using it for something  was better than it sitting there waiting for the moths.   If I was lucky, whatever was making it icky, would finally get cleaned off it and I'd have nicer and pretty fibre.

Violet Dye

I used about 1/2 tsp of dye to a couple of litres of water and about 1/3 cup of vinegar.  Because I had to rebatch the Delphinium Blue with extra vinegar, next time I'd add about 1/2 cup of vinegar.  I used a fair bit of fibre though.  I prefer to use my smaller pot, which is quite deep, so that the fibre is sort of sitting in layers.

You can soak or put the fibre in dry.  Usually I soak, but with my kitchen still in pieces, I tossed most of it in dry.  Mostly it was fine, but there was a bunch which must have been coated with something because it required some help to get it wetted, both in the dye vat and in plain water.

Delphinium Blue with broken colours

The dye has to be heated up to just below boiling - about  185° to 208° if you want to stick a thermometer in it.    Then you push a handful of fibre in the vat, poke it in carefully, about 30 - 60 seconds later, push in a second handful, and 30 - 60 seconds later, push in another handful of fibre.   With a skein, just dip and dunk or slide part in each time.  If you got the temperature right the  dye will dye each handful with a different colour component of that dye.   If the temperature it too cool, you will still get awesome colour gradation.

Delphinium Blue gradiation colours - cooler water temps

 Here is the part that makes the dyes more colour fast.  Once the fibre is in the pot, the dye will exhaust fairly quickly.   If the water isn't exhausting, add a bit more vinegar.  Let the dyes simmer slowly bringing it up to the 208 mark for 30 minutes or so.  

I've had fibre dyed this way for over 10 years with minimal colour fading, including a pair of mittens that I wore non-stop for several years.

Violet Dye with broken colours

 You get fun effects with little equipment that you might already have on hand.  Safe and fun to do with kids and lets face it, fun for adults.  Sometimes you don't want to drag out the scales, calculator and record book to mix a bunch of dyes.  That being said, if you measure accurately and record your results, you should get fairly repeatable results.

Some days though, I'm up for a bit of serendipity.  I'm pretty happy with these results and yes, some of the dry fibre is light, fluffy and finally feels clean.